| The Films Within March Madness 2003 | |||
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Chickenshit
directed by Sarolta Jane Cump USA, Experimental, 2001, Super-8mm, Color, Magnetic Stereo, 00:01:30 A true story told to me during a midnight walk down a dark stretch of Route 66. Hand processed super 8 footage. ... more info | ||
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Art Hacks Babble
directed by Steve & Ross Craig USA, Experimental, 2002, PXL 2000, 00:08:16 Two brothers set out to make an art video, unsure of the work's content or meaning. Shot entirely on a PXL 2000.... more info | ||
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Call of the Wild
directed by Julia Sarcone-Roach USA, Animation, 2002, 35mm, Color, 00:08:00 In this endearing animated film, animals in spinning houses engage in small domestic adventures, their lives connected by a phone line.... more info | ||
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Happy Peppy Sparky Doggy!
directed by Robert Todd USA, Comedy / Satire, 2002, 16mm, Color, Magnetic Monaural, 00:02:40 Man’s Best Friend turns out to be a Neighborly Nightmare. Sparky the WonderHound: He's the All-American Woofer spreading his brand of fur-friendly cheer throughout the land. Views of isolation in the American Neighborhood. MORE: SEE: Sparky the WonderHound perform AMAZING feats never before seen on the Big Screen! HEAR: Canine latration at its finest in full Kadachromatic Splendor! FEEL: The Power of the Happiest, Peppiest Little Dogling spreading Puppy Love throughout his friendly neighborhood as he romps and frolics in this tale of sheer delight! If you've ever known a dog like this (and I'm sure you have) you won't want to miss the chance to share "Happy, Peppy, Sparky... more info | ||
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My Neighbor
directed by Jack Cronin USA, Experimental, 2002, 16mm, B&W, 00:04:00 Based upon a short story (of the same name) by Franz Kafka. My Neighbor deals with the anxieties of a man who becomes suspicious of his new neighbor.... more info | ||
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C'mon Y'all
directed by James Reitano USA, Music, 2001, Digital Video, Color, Magnetic Stereo, 00:03:30 Rapper Motion Man and his DJ, Kutmasta Kurt, make their way through the pitfalls of a suburban household on a perilous quest for love.... more info | ||
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New York Casino
directed by Kyle Henry USA, Experimental, 2001, DV, Color, 00:04:30 Las Vegas comes to Manhattan. Prepare for debt consolidation. The voices of Times Square demand consumption.... more info | ||
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Ms. Maverick
directed by Caz McIntee Australia, Experimental, 2002, DV, Color, Magnetic Stereo, 00:01:56 Maverick, n (a) to seize or brand (an animal) as maverick; hence to take possession of without any legal claim (b) to stray or wander like a maverick (c) a masterless person. Ms. Maverick 1 is an avatar needled by voices, her own and others, real or imagined, that stomp her into a prescribed social position. ... more info | ||
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Looters
directed by Arun Kumar United Kingdom, Narrative, 2002, Digital Betacam, Color, Magnetic Stereo, 00:10:00 Anna wants to buy an SLR camera. She finds one advertised in a free ads paper, and along with her friend Gibbo she goes to the house of the man wishing to sell it. Mr. Sifter turns out to be a very sweet man, someone who obviously doesn't get a lot of visitors. The camera is almost forgotten about as they talk into the early evening about life, love and happiness. Upon leaving Mr. Sifter gives them a bottle of exotic looking drink that he picked up on his travels. They travel home with full hearts, a little more life knowledge and the thought that maybe they brought a little bit of happiness back into one lonely life. That evening Anna, Gibbo and a crowd of their friends are getting... more info | ||
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Camouflage
directed by Jonathan Hodgson United Kingdom, Animation, 2001, 35mm, Color, Magnetic Stereo, 00:07:56 Camouflage by Jonathan Hodgson explores the experience of the child growing up with a schizophrenic parent. Based on extensive research it compares a personal account with the experience of others, using interviews, drawings and animation, live action and digital composition.... more info | ||
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Jimmy
directed by Kasumi USA, Experimental, 2002, 35mm, 16mm, DV, Color, 00:03:00 Society reaps what it sows in its oppression and abuse of the weak. ... more info | ||