USA, Comedy / Satire, 0, Mini DV, Color, 00:02:00
A PSA about turning off your cellphones before a film.... more info
USA, Experimental, 2002, Mini DV, Color, Magnetic Stereo, 00:03:00
Uses two performers with their heads wrapped in packing tape (sticky-side out) to explore in-between spaces.... more info
USA, Narrative, 2001, DV, Color, Magnetic Stereo, 00:06:00
Once upon a time, I was happily ever after. And then one day, something caught my eye.... more info
USA, Experimental, 2000, Digital, Color, Magnetic Stereo, 00:02:00
Last winter's snow seen from Mark's window.... more info
USA, Experimental, 1999, Digital, Color, Magnetic Stereo, 00:02:20
And now the news... Just playing with the endless brutal drivel foisted on us all by the networks under the news label. The interchageability of the voices and stories, the shallowness, the spectacle, the mock seriousness, etc... ... more info
USA, Experimental, 2001, Digital, Color, Magnetic Stereo, 00:03:00
Anxiety, uncertainty, and crowded hallways.... more info
USA, Narrative, 2002, Digital, Color, 00:03:00
Just like any other summer vacation.... more info
Australia, Experimental, 2002, DV, Color, Magnetic Stereo, 00:01:22
Absence is created in response to trauma. It explores how trauma shifts memories. The continuous display of images document intimate playful moments of us. These memories have now changed. The mouths that loved each other have now become the most violent part of the body, erupting verbal assaults that strips away what we were. These assaults are repeated endlessly, again and again with no sense of beginning or end. ... more info
Australia, Experimental, 2002, DV, Color, Magnetic Stereo, 00:04:24
Trust uses fragments of rich sensual imagery and sound to weave a portrait of intimacy and emotion. We face each other, but we are not able to see each other clearly. The story of who we us has become more important than who we actually are. My own expectation shaped my image of you. I was so sure of what I wanted, that I didnÕt really see you at all We just co-exist. Two people full of fear. Tomorrow I realise my life is about to change. ... more info
Australia, Experimental, 2002, DV, Color, Magnetic Stereo, 00:03:42
Falling in is a piece about letting go. It all broke for me tonight - the illusion that we would get back together. I sit here so much wishing to be somewhere else - but having no idea where that else is. ... more info
Canada, Experimental, 1999, DV, Color, 00:01:30
Julie photographed the eyes of people she met during a trip, then recast them in a sequence of tête-à-tête : voiceless, yet visibly voluble.... more info
Canada, Experimental, 2000, DV, Color, 00:01:30
Julie's eyes rolls at the rythme of a small mechanic.... more info
Canada, Experimental, 2001, DV, Color, Magnetic Stereo, 00:02:00
Fire!... more info
Canada, Experimental, 2002, DV, Color, 00:00:40
5 4 3 2 1. ... more info
USA, Music, 2001, 35mm, 16mm, DV, Color, other, 00:02:30
Pulsing, hypnotic visual samples and grooves are woven into a hallucinatory trip to the Madhouse.... more info
USA, Experimental, 2001, 16 mm, DV, Color, Optical Stereo, 00:04:10
A halluncinatory montage of images and sound is the stream of consciousness of a soul burdened by the judgment of others. ... more info
USA, Animation, 2000, DV, Color, Magnetic Stereo, 00:02:00
The most exciting two minutes of your life will be spent watching this film!... more info
USA, Animation, 2000, Computer Animation, Color, Magnetic Stereo, 00:09:22
Based on family folklore, this is the true story of a pet lizard who travels from his home in Louisiana to Las Vegas in search of adventure.... more info
Germany, Animation, 1994, 35mm, Color, Optical Stereo, 00:03:17
Metamorphoses of colour and form which are painted , drawn and stamped on blank film directly and which are corresponding to rhythm and music. There were used self made stamps an leaves for stamping. ... more info
Germany, Animation, 1997, 35mm, Color, Dolby SR, 00:04:11
A poem to the moon, its voice being the saxophone. Plants and birds by night change with abstract metamorphoses, thus creating some kind of djungle. The images were scratched on black film. They were directly put on film in the movement of painting, rhythm and music. ... more info