The Films Within All Digital Edition 2004
still photo of film Tu n'es rien qu'image Numerique directed by Nicola Dulion
France, Experimental, 2001, DV, Color, 00:01:30

DANS UN CRANE TOURMENTÉ PAR LA DOULEUR, L’IMAGE D’UN PARC APPARAIT, PERTURBÉ PAR DES DÉCOUVERTES ÉTRANGES. IN A STORMY HEAD, A PICTURE OF A GARDEN APPEARS. A MAN MAKES STRANGE DISCOVERIES. WHO IS HE ? WHAT IS HE ? FLESH OR DIGITAL ?... more info
still photo of film O.W.L. Off World Laboratory directed by Sheridan Shindruk
Canada, Experimental, 2000, DV, Color, Magnetic Stereo, 00:04:00

Technological telepathy looms as a mobile-laboratory forages through a series of locations that allude to premonitions of failure, loss, and isolation.... more info
still photo of film (h)ombre directed by Laurent Barthelemy
USA, Animation, 2003, 3D Animation, B&W, Magnetic Stereo, 00:02:40

Everybody seems to be running away from something. One being takes the decision to face it.... more info
still photo of film Dacari and Donell's Demo Tape directed by Jonnie Ross
USA, Music, 2002, DV, Color, Magnetic Stereo, 00:05:00

A recently discovered audition tape of 6-year old twin rappers, Dacari and Donell provides a brief glimpse into the hype machine surrounding the grooming of young pop stars.... more info
still photo of film Post Apocalypse Now directed by David Fenster
USA, Experimental, 2002, Color, 00:04:00

This project was shot on mini DV and rotoscoped frame by frame, it follows a visitor around post apocalyptic earth.... more info
still photo of film Nobo directed by Diginoise Media Lab
Taiwan, Animation, 2003, 3D Computer Animation, Color, Magnetic Stereo, 00:05:00

A story about hope and a little patch-geared robot that spends his days wondering what lies beyond the hidden sky. ... more info
still photo of film Dreamlife of Androids, The directed by David Witzling
USA, Experimental, 2002, Computer/DV, Color, Magnetic Stereo, 00:05:35

Using a variety of imagery derived from Pixelvision, DV, scanned pictures, and wholly computer-generated sources, The Dreamlife of Androids suggests a signifying system based on the discourse between the sensory apparatus of a cognizant entity and the engendered modalities of a phenomenologically generative regress, representing computation and cognition alike as siblings of a single nonreductive process that governs the combinations of perceptual fragments processed variously and recombined to create the appearance of continuity; it is impressionism for intelligent machinery: as Monet sought to recreate the raw impressions of light upon the rods and cones in the human retina, this video see... more info
still photo of film Release Me directed by Potter-Belmar Labs
USA, Experimental, 2003, DV, Color, Magnetic Stereo, 00:01:15

Crooning for Release.... more info
still photo of film Humanus directed by Danny Dangar
USA, Experimental, 2003, Mini DV, Color, Magnetic Stereo, 00:04:19

From the primal stream to the digital stream - mankind is created - mankind creates - mankind recreates himself.... more info
still photo of film Arrogance directed by Mark O'Connell
USA, Experimental, 2004, DV, Color, Magnetic Stereo, 00:03:30

A finger touches an onscreen map and a city explodes. Samples of the arrogance implied in US media coverage of the Iraq invasion, and the arrogance implied by the assumptions of Bush, Cheney and Blair.... more info
still photo of film Taken directed by Kirsten Carthew
USA, Animation, 2002, DVCAM, Color, Magnetic Stereo, 00:11:00

In a visually explosive stream of consciousness, Taken tackles the universal doubts of a young man in the modern world. ... more info
still photo of film Harboring Wells directed by Norma V Toraya
USA, Animation, 2004, DV, Color, other, 00:06:00

There is a sudden crash of a flying vehicle and two individuals end up landing in a lagoon of a green heavily natural landscape. It is quiet and the pair are alone, floating around in this small lagoon - unable to contact the rest of the world. The main character is one who dances around, musing herself with the other character who is practically dead, injured, almost catatonic. Instead of letting go, she tries to entertain this other sunken character with gestures of fun, soothing comforting, showing past photos and picture books. This odd preoccupation shadows the fact that lurking in the landscape is a force, which ends their lives both. What the story attempts to convey is a sense of mem... more info

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