| The Films Within Animation Edition 2000 | |||
![]() |
Matrix Variant I
directed by Stephan Larson USA, Animation, 0, Digital, 00:04:50 A space and time of variation in sound and imagery.... more info | ||
![]() |
Flip Film
directed by Alfonso Alvarez USA, Animation, 1999, 16mm, B&W, Magnetic Stereo, 00:01:05 Made in collaboration with, Photographer Ellen Ugelstad. This trip through the urban landscape is a staccato peek at San Francisco from the inside of a bus. An animated flip book in the tradition of Biograph's 1890 film toy, the Mutoscope this sixty-second film explores the reiterative process: it is a film of a flip-book of photographic stills from a film by a photographer and a filmmaker. ... more info | ||
![]() |
Infection
directed by Alex Prisadsky USA, Animation, 0, 00:04:00 Black and white forms mimic the progress and style of an infection.... more info | ||
![]() |
Everybody Bowl!
directed by Dustin Woehrmann USA, Animation, 1998, 16mm, Color, 00:03:00 An animated mini-documentary looks at the secrets and fashions of our most fabulous obsession bowling.... more info | ||
![]() |
Magic Trick, The
directed by Scott Kravitz USA, Animation, 2002, Color, Magnetic Stereo, 00:02:30 Pick a card, any card!... more info | ||
![]() |
Frieden, Tree of Peace
directed by Alina Hiu-Fan Chau USA, Animation, 0, 00:04:00 Frieden means peace in German. Frieden, the little girl in the film lives in an unstable country and the only time she can escape from her cruel reality is during her dream.... more info | ||
![]() |
Vision Point
directed by Stephen Arthur Canada, Animation, 1999, Still Photos, Color, Magnetic Stereo, 00:01:27 "Landscape pixilation" is used to express and abstract our direct relationship to the land of Western Canada in a powerfully surreal and visionay way. ... more info | ||
![]() |
Perpetual Motion
directed by Karen Aqua USA, Animation, 0, 00:05:15 A shrine to ritualized time.... more info | ||
![]() |
Object Lesson
directed by Dylan Marshall Sisson USA, Animation, 1998, 3D Computer Animation, B&W, Magnetic Stereo, 00:03:00 Curiosity can kill you. ... more info | ||
![]() |
Devil Lives in Hollywood, The
directed by Amy Lockhart Canada, Animation, 0, 00:05:30 An animation relying on warped logic in its search for meaning in life with pop culture as the only reference point.... more info | ||
![]() |
Hangnail
directed by Shane Acker USA, Animation, 0, Color, 00:02:00 A man, man's best friend, and a small piece of skin that eventually tears them apart. The Hangnail was produced at the UCLA Animation Workshop in 18 weeks. It is the first film by Acker. The music for the film was inspired by the composer, Esquivel. All the cells were hand drawn then digitally painted and composed. Everyone who worked on the film is an architectural designer, except for Randy Jones who is a musical composer.... more info | ||
![]() |
Claustrophobia
directed by Irina Goundortseva USA, Animation, 0, 00:03:00 | ||
![]() |
Translations
directed by Jennifer Sachs Canada, Animation, 0, 00:03:30 A cathartic animated moment inspired by the case histories of Freud & Breuer and Elaine Showalter's modern reinterpretations of hysteria as a cultural disease.... more info | ||
![]() |
Buena Vista Fight Club
directed by Evan Mather USA, Animation, 2000, DV, Color, Magnetic Stereo, 00:02:00 The most exciting two minutes of your life will be spent watching this film!... more info | ||
![]() |
Orange Tree, The
directed by David Moroski USA, Animation, 1999, 16mm, 00:02:15 A film about the exuberant power and growth of nature.... more info | ||
![]() |
Trinity Studios
directed by Michiel van Bakel Netherlands, Animation, Color, 00:01:50 Made using 32 disposable cameras linked to each other with electromagnets, this film is an absurd example of playing with fire on a cosmic and personal scale.... more info | ||
![]() |
Zoetrobics
directed by Edward L. Counts, Jr. USA, Animation, 1998, 16mm/video, Color, Magnetic Stereo, 00:05:00 Zoetrobics is a choreography of graphics in space and time accompanied by an original score composed by Stephen Webber of the Berklee College of Music and recorded under Webber's direction at Skywalker Sound. The animation is by Ed Counts, Professor of Instructional Technology at the University of Tennessee. The pace of the movie is based on continuous 12 drawing sequences simulating a zoetrope. The intention of the collaborators was to create two works of art, music and animation – that reinforce rather than illustrate one another. In that sense the effect is that one “sees” the music and “hears” the images.... more info | ||