Germany, Experimental, 2000, 16mm, Color, Optical Monaural, 00:05:00
Made by shooting foil paper, this film explores the medium's possibilities in the realm of the auidovisual.... more info
USA, Animation, 0, Digital, 00:04:50
A space and time of variation in sound and imagery.... more info
Canada, Experimental, 0, 00:07:00
Named when industrialists developing the waterway in Vancouver discovered that the creek was actually an inlet.... more info
Canada, Animation, 1999, Still Photos, Color, Magnetic Stereo, 00:01:27
"Landscape pixilation" is used to express and abstract our direct relationship to the land of Western Canada in a powerfully surreal and visionay way. ... more info
USA, Experimental, 2000, digital, Color, 00:05:40
Sex, industry, science, martini shakers and the hell bomb. Fun for the entire family.... more info
USA, Experimental, 0, 00:04:30
The protagonist aggressively cleans her teeth and chain smokes. Pursued by the camera, she assaults it repeatedly.... more info
USA, Animation, 0, Color, 00:02:00
A man, man's best friend, and a small piece of skin that eventually tears them apart. The Hangnail was produced at the UCLA Animation Workshop in 18 weeks. It is the first film by Acker. The music for the film was inspired by the composer, Esquivel. All the cells were hand drawn then digitally painted and composed. Everyone who worked on the film is an architectural designer, except for Randy Jones who is a musical composer.... more info
USA, Experimental, 2000, Color, 00:05:30
Warm Jets is an exploration of scale, synthetics and fantastical landscape. Inspired by early science-fiction cinema and contemporary virtual environments Warm Jets offers a whimsical journey into alternate worlds created by everyday materials. In Warm Jets, a fractured reality of different "sites" exists. ... more info
USA, Animation, 0, Color, 00:01:00
An entity reconstituted from the body parts of some famous female film stars, a being, which repeatedly alternates between joy and fear, laughter and screams.... more info
USA, Experimental, Color, Sound, 00:05:00
An exploration in mechanical movement where nothing stands still.... more info
USA, Experimental, 2000, Digital, Color, Magnetic Stereo, 00:02:00
Last winter's snow seen from Mark's window.... more info
Canada, Animation, 0, 00:03:30
A cathartic animated moment inspired by the case histories of Freud & Breuer and Elaine Showalter's modern reinterpretations of hysteria as a cultural disease.... more info
USA, Experimental, Sound, 00:08:00
A study about a passage.... more info
, Experimental, 00:03:30
An experimental narrative following a woman on a road trip across the country. Her journey is ambiguous.... more info
USA, Animation, 0, Color, 00:03:40
A handgun takes form, a bullet is fired, and the path of the projectile is followed through a surreal landscape of possibilities. All 3-D models were created in form-Z, then textured and animated in ElectricImage. Textures and environments were created in Photoshop, primarily from scanned photographs. Motion graphics and compositing were done in After Effects, and the final footage was sequenced in Premiere. CyperSound Studio and SoundEdit were used for the soundtrack.... more info
USA, Animation, 0, 00:04:00
Black and white forms mimic the progress and style of an infection.... more info
USA, Experimental, Color, Sound, 00:06:41
A probe is launched to investigate a nebulous anomaly, and travels through layers of mythological space to arrive at the final question and answer.... more info
USA, Animation, 1998, 16mm/video, Color, Magnetic Stereo, 00:05:00
Zoetrobics is a choreography of graphics in space and time accompanied by an original score composed by Stephen Webber of the Berklee College of Music and recorded under Webber's direction at Skywalker Sound. The animation is by Ed Counts, Professor of Instructional Technology at the University of Tennessee. The pace of the movie is based on continuous 12 drawing sequences simulating a zoetrope. The intention of the collaborators was to create two works of art, music and animation – that reinforce rather than illustrate one another. In that sense the effect is that one “sees” the music and “hears” the images.... more info