| The Films Within Digital Edition I (2002) | |||
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Trinity Studios
directed by Michiel van Bakel Netherlands, Animation, Color, 00:01:50 Made using 32 disposable cameras linked to each other with electromagnets, this film is an absurd example of playing with fire on a cosmic and personal scale.... more info | ||
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Effigy: Specimens 4 to 12
directed by Sheri Wills USA, Animation, 00:02:30 Digitally animated photograms were created by placing organic materials directly on unexposed 35mm film and flashing it with light.... more info | ||
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Fansom the Lizard
directed by Evan Mather USA, Animation, 2000, Computer Animation, Color, Magnetic Stereo, 00:09:22 Based on family folklore, this is the true story of a pet lizard who travels from his home in Louisiana to Las Vegas in search of adventure.... more info | ||
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Perspex
directed by Jack Davies United Kingdom, Narrative, 0, 00:06:00 Liam has waking dreams in which he meets a woman, Dora again and again. She leads him towards their final destination, across a fractured windscreen.... more info | ||
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Strange Ships
directed by Mark O'Connell USA, Experimental, 2001, Digital, Color, Magnetic Stereo, 00:03:00 Anxiety, uncertainty, and crowded hallways.... more info | ||
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Vision Point
directed by Stephen Arthur Canada, Animation, 1999, Still Photos, Color, Magnetic Stereo, 00:01:27 "Landscape pixilation" is used to express and abstract our direct relationship to the land of Western Canada in a powerfully surreal and visionay way. ... more info | ||
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Food
directed by Jack Myers USA, Experimental, 2001, DV, Color, Dolby Digital, 00:12:00 Food is an animated short exploring the food chain, natural selection and the relationship between the consumer and the consumed. It pays homage to daytime television, bad horror movies and obtuse art films. It also contains cute birds, a telekinetic houseplant and something resembling meatloaf. Behold as the protagonist is threatened with eating utensils! Marvel at the lively and colorful anatomy lessons! Thrill at the refreshing lack of handheld cinematography!... more info | ||
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Corpus II
directed by Anne Loyer USA, Animation, 2000, B&W, 00:01:20 This animation is about the human body as a vessel, on which we inscribe words, memory and experiences.... more info | ||
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Repose
directed by Seung Jun Lee USA, Experimental, 0, 00:04:00 The changing clothing represents changing human emotion, changing subconscious drives, changing survival instincts, and the ultimate change: reincarnation.... more info | ||
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Chaos Hag II
directed by Courtney Egan USA, Animation, 0, Color, 00:01:00 An entity reconstituted from the body parts of some famous female film stars, a being, which repeatedly alternates between joy and fear, laughter and screams.... more info | ||
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Clippings
directed by Richard Koenig USA, Experimental, 2000, DV, Color, 00:03:00 Explores the ritual through the paradigm of a couple in a traditional, stereotypical domestic setting.... more info | ||
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Madhouse
directed by Kasumi USA, Music, 2001, 35mm, 16mm, DV, Color, other, 00:02:30 Pulsing, hypnotic visual samples and grooves are woven into a hallucinatory trip to the Madhouse.... more info | ||
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Matrix Variant I
directed by Stephan Larson USA, Animation, 0, Digital, 00:04:50 A space and time of variation in sound and imagery.... more info | ||
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Shadowgraph
directed by Weldon DeBusk USA, Animation, 0, Color, 00:03:40 A handgun takes form, a bullet is fired, and the path of the projectile is followed through a surreal landscape of possibilities. All 3-D models were created in form-Z, then textured and animated in ElectricImage. Textures and environments were created in Photoshop, primarily from scanned photographs. Motion graphics and compositing were done in After Effects, and the final footage was sequenced in Premiere. CyperSound Studio and SoundEdit were used for the soundtrack.... more info | ||
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Snow Seen from Warm Window
directed by Mark O'Connell USA, Experimental, 2000, Digital, Color, Magnetic Stereo, 00:02:00 Last winter's snow seen from Mark's window.... more info | ||