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Tim Shore
Contact Information*:

London
United Kingdom
Contact Type: Artist
Bio/Filmography Films Compilations Screenings Press
Bio:

Tim Shore was born in 1962. He studied graphic design at Wolverhampton Polytechnic in the UK. In 1999 Tim trained in animation at the London College of Printing and graduated from the Royal College of Art in 2002. His graduation film, Rosabelle Believe, has been shown at festivals around the world. He completed his first commissioned film, Keepsake, for Channel 4 Wales in 2003. He is currently working on ‘Document’ - which is funded by a London Artists’ Film and Video Award from Film London and Arts Council England.

Filmography/Awards Info:

Keepsake (41342, 2003)
Rosabelle Believe (51232, 2002)
Carbon (11, 2001)
To Fred From Mother (21332, 1999)




This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities.

Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact.

Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.


IE Premiere 2007

2007 Independent Exposure premiere
IE Mind Over Matter 2007

Introspection and ethereality dominate the second offering from Independent Exposure 2007
Animation 2007

This year's animation features Lev, Chel White and Federico Solmi among others
Documentary Edition 2007

Religion, politics, technology and beauty
Halloweird 2007

Halloweird features the uncategorizable as well as scary insights into filmmaker's minds



Screen Independent Exposure
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