Chel White
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Contact Information*:
Portland Oregon USA |
Contact Type: Artist |
BIO / FILMOGRAPHY
FILMS
COMPILATIONS
SCREENINGS
PRESS
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Bio:
Chel White has been making films independently for over 20 years. He got his start making films in high school and college. In his early 30’s, he worked with filmmaker Gus Van Sant on three of Van Sant’s films, including To Die For (starring Nicole Kidman) and My Own Private Idaho (starring River Phoenix). From Berlin to Sundance, Chel White’s films have been shown in film festivals all over the world, and recognized with many awards (including EMPA Work Life award from the Ann Arbor Film Festival). His work has screened at the Smithsonian and Brooklyn museums, and two commissioned projects he directed are in the permanent collection of the Museum of Modern Art in New York. In addition to his work as an independent filmmaker, Chel White is a world-renowned commercial director. His work in this realm reflects his belief that the medium can be an art form. White is a partner in the commercial production company BENT, founded in 2002, and has directed parody shorts for Saturday Night Live and others. For the past 20 years, Chel White has been a vital part of the Portland Oregon filmmaking community. Filmography/Awards Info: 2005 - A PAINFUL GLIMPSE INTO MY WRITING PROCESS (IN LESS THAN 60 SECONDS) 2004 - MAGDA 2003 - ECLIPSE 2002 - NEW YORK 2001 - PASSAGE 2000 - SOULMATE 1998 - DIRT 1997 - LOVE AND OTHER DIFFICULTIES 1991 - CHOREOGRAPHY FOR COPY MACHINE (PHTOTCOPY CHA CHA) 1987 - MACHINE SONG This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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