Brendan Lott
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Contact Information*:
San Francisco California USA |
Contact Type: Artist |
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Bio:
Brendan started making films in 1995. In 2000, he began moving toward installation, video and works with text. Now he tries to keep himself busy with many different materials: ink jet prints, other people's movies and digitally created quilts. Right now he is working on a series of large, decorative quilts about Tupac Shakur. Filmography/Awards Info: Filmography Detox 1996. 4 min., sound, b/w, Super-8 on video. Vein 1997 8 min., sound, b/w, Super-8 on video. Answering Machine 1997 6 min., sound, b/w, 16mm on video. Peculiar American Loneliness 1998 22 min., sound, b/w, 16mm on video. Dick Head 1998 4 min., sound, color, computer aided cutout animation. Post-Irony Orchestra 1999 10 min., sound, b/w & color, digital video and 16mm. Vana Banana. 2000 6 min., sound, b/w, 16mm on video. Jim, an accidental movie 2000 4.5 min., sound, color, analog video. It Takes 2 (3): A True Story 2000 6 min., sound, color & b/w, 16mm. Flash Cube or Eyeball 2001 3 min., sound, color. Music video for Melt Banana. Revolution 6 2001 6 min., sound, b/w, 16mm The History of the 20th Century, take 3 2001 6 min, sound, b/w 16mm Tom Tom 2002. 7 min (loop) Video. Sound. Trickled Down 2002. 12 min (loop) Video. Silent. Afraid of Virginia Who's Woolf. 2003 113 min. Video. Sound. Awards Bernard Osher Scholarship, in partnership with the San Francisco Art Institute, 1999-2001 Osher Summer Travel Abroad Award 2001 San Francisco Art Institute Spring Show Award 2001 This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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