Steve Piper
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Contact Information*:
Kent United Kingdom |
Contact Type: Artist |
| web: http://www.coffeefilms.com | |
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Bio:
Steve Piper is the Managing Director of the Coffee Arts and Media company based in the UK, where he focuses the majority of his attention on film, but also involves himself in the running of the company music agency and award winning design firm. He has shot a diverse range of shorts and documentaries across a variety of genres which have been universally well received by critics and audiences, he now advises young talent on short filmmaking through the BBC Film Network Industry Panel, and through Coffee Films own project executive producing for exciting young talent. Steve is currently rapidly developing a career both sides of the pond directing and producing wildlife and music documentaries and screenwriting feature films. Filmography/Awards Info: FILMOGRAPHY 1996-2003 16 experimental underground short films never exhibited 2004 How to Disappear Completely (short) 2004 Televisual Man (short) 2004 3 (short) 2005 Three Days with TGK (music documentary) 2005 Jake Stigers; Out of Idaho (music documentary) 2006 Dealer (short) 2006 A Plaster, a Paper and a Chicken Salad Sandwich (short, executive producer only) 2006 The Guardians (feature, screenwriter only) 2006 Last of the Scottish Wildcats (wildlife documentary) PERSONAL AWARDS 2004 MIFED Emerging European Filmmakers Awards, UK Winner PROJECT AWARDS For How to Disappear Completely; Best Cinematography and Best Music Video at Wreck Beach International, Canada Audience Choice, East End Film Society Screenings, London Editor's Choice April 2006, Microfilmmaker Magazine For 3 Editor's Choice June 2006, Microfilmmaker Magazine This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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