Marina Zurkow
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Contact Information*:
New York New York USA |
Contact Type: Artist |
| web: http://www.o-matic.com | |
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Bio:
Marina Zurkow works with character and narrative in animated cartoons, interactive installations, print and pop objects. Zurkow's recent projects include The Space Invaders, a site-specific single channel video for WNET/PBS in New York; and the seven channel animated installation, Nicking the Never, which premiered at FACT in the U.K. in 2004. She's created the award-winning episodic cartoon Braingirl, chronicling a mutant-cute girl who wears her insides on the outside; Pussy Weevil, or How I Learned to Love the War, a vile cartoon persona who reacts to a viewer's proximity; and PDPal, a public art project for screen, web and mobile devices that allows a user to ěwrite her own cityî (with architect Scott Paterson and technologist Julian Bleecker). Zurkow's icons and characters have been incorporated into films, hotel design, lightboxes and clothing. Upcoming projects include Karaoke Ice, a truck with a persona that stages karaoke battles for ISEA/ZeroOne, the San Jose Biennial in 2006, and Funnelhead, which will be realized as a graphic novel and as an animated, sculptural installation. Zurkow's work has been exhibited at Sundance, the Rotterdam Film Festival, Ars Electronica, Creative Time, The Kitchen, the Walker Art Center, the Brooklyn Museum, SFMoMA, Eyebeam Atelier, and bitforms gallery, and has been broadcast on MTV, Fuji TV and PBS. She is a 2005 NYFA Fellow, a 2003 Rockefeller New Media Fellow, and received grants in 2005 from the New York State Council on the Arts, and in 2001-2002 from Creative Capital, the Jerome Foundation and the Walker Art Center. She teaches at NYU's Interactive Technology Program (ITP) and lives in Brooklyn. Filmography/Awards Info: This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
None of this person's films have ever been screened
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