D-Fuse
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Bio:
Filmography/Awards Info:
This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact
is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database
is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities.
Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the
Blackchair Label nor an endorsement of its activities by the Contact.
Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or
write Microcinema International and we will be happy to forward your e-mail.
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Data_Flow
directed by D-Fuse
United Kingdom, New Media,
0,
Color,
Magnetic Stereo,
00:05:23
Data_Flow explores and tracks the spaces created by invisible information within computer circuits and systems, representing the pure data within computers and networks. In the hidden spaces generated by err... more info
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Endeka #1
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Dolby Digital,
00:03:11
Endeka creates a world in which abstract
forms collide and re-define themselves
as patterns of intricate complexity - their
shape and texture reflecting the jazzy
mood of the music. A collection of rich
... more info
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Endeka #2
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Dolby Digital,
00:03:11
Endeka creates a world in which abstract
forms collide and re-define themselves
as patterns of intricate complexity - their
shape and texture reflecting the jazzy
mood of the music. A collection of rich
... more info
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Endeka #3
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Dolby Digital,
00:03:11
Endeka creates a world in which abstract
forms collide and re-define themselves
as patterns of intricate complexity - their
shape and texture reflecting the jazzy
mood of the music. A collection of rich
... more info
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Experimenta #1
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Magnetic Stereo,
00:03:39
Exploring the interaction between sound
and light. Comprised of sound triggered
graphics working closely with Burnt
Friedman, all motion within the video was
sound activated. This is a working idea
for a... more info
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Experimenta #2
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Dolby Digital,
00:03:39
Exploring the interaction between sound
and light. Comprised of sound triggered
graphics working closely with Burnt
Friedman, all motion within the video was
sound activated. This is a working idea
for a... more info
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Experimenta #3
directed by D-Fuse
United Kingdom, Music,
2000,
DV,
Color,
Dolby Digital,
00:03:39
Exploring the interaction between sound
and light. Comprised of sound triggered
graphics working closely with Burnt
Friedman, all motion within the video was
sound activated. This is a working idea
for a... more info
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Forma y Funcion #1
directed by D-Fuse
United Kingdom, Music,
2003,
DV,
Color,
Dolby Digital,
00:04:11
Form and function is a dual-angle movie
that is a structural representation of a
vertical environment. One Angle is purely
Architectural, whilst the second
incorporates architectural keyline
structures t... more info
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Forma y Funcion #2
directed by D-Fuse
United Kingdom, Music,
2003,
DV,
Color,
Dolby Digital,
00:04:11
Form and function is a dual-angle movie
that is a structural representation of a
vertical environment. One Angle is purely
Architectural, whilst the second
incorporates architectural keyline
structures t... more info
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Friction Within #1
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:15
An exploration of graphical shapes
in cross-play to mechanical machinery
audio sound. The twisted and fragmented
patterns create the impression of a 3-
Dimensional city-spaces.... more info
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Friction Within #2
directed by D-Fuse
United Kingdom, Music,
2002,
Color,
Dolby Digital,
00:04:15
An exploration of graphical shapes
in cross-play to mechanical machinery
audio sound. The twisted and fragmented
patterns create the impression... more info
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Koi #1
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:52
This film, inspired by a recent visit to
Japan, begins as a series of fluid, but half
seen abstract shapes. As the film unfolds,
we see them as Koi Carp in an array of
rhythmic motion, overlapping and lay... more info
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Koi #2
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:52
This film, inspired by a recent visit to
Japan, begins as a series of fluid, but half
seen abstract shapes. As the film unfolds,
we see them as Koi Carp in an array of
rhythmic motion, overlapping and lay... more info
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Light Turned Down #1
directed by D-Fuse
United Kingdom, Music,
2001,
DV,
Color,
Dolby Digital,
00:04:52
Scanner’s hypnotic score is beautifully
visualised in an abstract world reduced
to an abstract starbust patterning. Paths
and borders overlap, as a tunnel of light
is created using waves of traffic motion... more info
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Light Turned Down #2
directed by D-Fuse
United Kingdom, Music,
2001,
DV,
Color,
Dolby Digital,
00:04:52
Scanner’s hypnotic score is beautifully
visualised in an abstract world reduced
to an abstract starbust patterning. Paths
and borders overlap, as a tunnel of light
is created using waves of traffic motion... more info
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Light Turned Down #3
directed by D-Fuse
United Kingdom, Music,
2001,
DV,
Color,
Dolby Digital,
00:04:52
Scanner’s hypnotic score is beautifully
visualised in an abstract world reduced
to an abstract starbust patterning. Paths
and borders overlap, as a tunnel of light
is created using waves of traffic motion... more info
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Shibuya (in 3 parts) #1
directed by D-Fuse
United Kingdom, Music,
2001,
DV,
Color,
Dolby Digital,
00:05:31
This film piece explores and documents
the architecture and urban structures of
Tokyo. Broken down into three elemental
sections: the flow of light, people and
architecture, it is an abstract snapshot
of... more info
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Shibuya (in 3 parts) #2
directed by D-Fuse
United Kingdom, Music,
2001,
DV,
Color,
Dolby Digital,
00:05:31
This film piece explores and documents
the architecture and urban structures of
Tokyo. Broken down into three elemental
sections: the flow of light, people and
architecture, it is an abstract snapshot
of... more info
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Syn_Real #1
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:32
Is a graphic representation of dynamic
data flow in architectural environments.
D-Fuse's latest film is a preview track
from our forthcoming D-Tonate DVD, in
collaboration with German electronic sound
ar... more info
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Syn_Real #2
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:32
Is a graphic representation of dynamic
data flow in architectural environments.
D-Fuse's latest film is a preview track
from our forthcoming D-Tonate DVD, in
collaboration with German electronic sound
ar... more info
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Syn_Real #3
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:32
Is a graphic representation of dynamic
data flow in architectural environments.
D-Fuse's latest film is a preview track
from our forthcoming D-Tonate DVD, in
collaboration with German electronic sound
ar... more info
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Syn_Real #4
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:32
Is a graphic representation of dynamic
data flow in architectural environments.
D-Fuse's latest film is a preview track
from our forthcoming D-Tonate DVD, in
collaboration with German electronic sound
ar... more info
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Syn_Real #5
directed by D-Fuse
United Kingdom, Music,
2002,
DV,
Color,
Dolby Digital,
00:04:32
Is a graphic representation of dynamic
data flow in architectural environments.
D-Fuse's latest film is a preview track
from our forthcoming D-Tonate DVD, in
collaboration with German electronic sound
ar... more info
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We Accept
directed by D-Fuse
United Kingdom, Music,
2003,
DV,
Color,
Dolby Digital,
00:03:53
The video is a collection of thousands of
still images, showing the most frequently
used credit cards in the world. It is a
reflection on the fast changing consumer
society and corporate branding, with
i... more info
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Microcinema Interview/Article:
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