Lee Lanier
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Contact Information*:
Boulder City Nevada USA |
Contact Type: Artist |
| web: http://www.beezlebugbit.com | |
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Bio:
BIOGRAPHY BeezleBug Bit represents the computer animation and direction of Lee Lanier. Lee’s work has played over 100 film efstivals and museums worldwide, including the Sundance Film Festival, Boston Museum of Fine Arts, Annecy Animation Festival and Smithsonian Institution. Before founding BeezleBug Bit, Lee served as a Senior Animator on “Antz” and “Shrek” at Pacific data Images/Dreamworks. He also put in time at Walt Disney Studios creating digital special effects for live action features and spent several years working as a Script Supervisor on various Hollywood productions. Lee combines computer animation, digital illustration and still photography into seamless - sometimes real, sometimes surreal - works of art. He single-handedly created the short films "Millennium Bug" and "Mirror." For "Infinity" and "Embryo," he collaborated with Belief EXP. "Day Off The Dead," a joint project with top animators across North America, is currently playing the festival circuit. His latest short, "Weapons of Mass Destruction," has just been completed Filmography/Awards Info: "Weapons of Mass Destruction" 2004 "Day Off The Dead" 2003 Best Animation, Memphis International Film Festival 2004 Honorable Mention, Deep Ellum Film Festival 2003 Honorable Mention, Boston Underground Film Festival 2003 "Mirror" 2000 New Independent Talent Action Award, Imagina 2002 2nd Place, Animation, World Animation Celebration 2001 "Millennium Bug" 1998 Director's Choice, Black Mariah Film & Video Festival 1999 Mike Gribble Award, Ottawa International Animation Festival 1998 This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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