Justine Cooper
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Contact Information*:
Brooklyn New York USA |
Contact Type: Artist |
| web: http://justinecooper.com | |
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Bio:
Interdisciplinary artist, Justine Cooper, has shown internationally in over thirty shows, across five continents. She is visual director for TULP: the body public, an upcoming theatre installation for the Sydney and Brisbane festivals (2004). She has participated in public programming, artist residencies, and workshops at a number of institutions and organizations throughout Australia, Asia and the United States. Her areas of interest include how medical technologies mediate our conceptions of time, space and identity; and more recently in the relationship of technology to nature, including the scales of time and space as it relates to the environment and society. Cooper’s work is held in both public and private collections including the Metropolitan Museum of Art in New York, The Powerhouse Museum (Sydney), The Queensland Art Gallery and the Australian Center for the Moving Image. Filmography/Awards Info: 2004 TULP: The Body Public (visual director) perfomance/installation with Elision Ensemble and composer John Rodgers, Art Gallery of New South Wales – Domain Theatre, Sydney Festival 2003 How Human, life in the post genome era, International Center of Photography, New York Science Fictions, Asian Civilisations Museum and Earl Lu Gallery, Singapore oZone, Centre Pompidou, Paris Another Planet, Robert Beck Memorial Cinema, New York + Chicago Institute of Art Future Perfect, D.art, Sydney Film Festival Excite/Moist, Julie Saul Gallery, New York Helen Lempriere National Sculpture Award Exhibtion, Melbourne Lady from the Sea video animations (Ibsen), Wax Factory Production 2002 PhotoGENEesis: Opus 2, Santa Barbara Museum of Art, California MOIST, Multimedia Art Asia Pacific, Millennium Monument, Beijing, PRChina Microviews, Urban Center Galleries at The Municipal Art Society, New York Corps + Machine, Museum of Contemporary Art, Montreal Other Views, QCA Gallery, Queensland, (curator Timothy Morrell) Den Haag Film and Video Festival, “Oor(g)/See[h]ear” ConVerge: where art and science meet, Adelaide Biennial, The Art Gallery of South Australia, Medicine As Metaphor, NTT InterCommunication Center, Tokyo, Japan World Views, New Museum of Contemporary Art, New York 2001 Steel Fracture, Dir. Gail Kelly, Australian Technology Park + Performance Space (video commission) Figure It, Plimsoll Gallery, Centre for the Arts, Tasmania Theory or Faith, LIMN gallery, San Francisco Hybrid forms: Australian new media art, Netherlands Media Art Institute, Amsterdam 2000 Gwang-Ju Biennale, Korea Foreign Bodies, Untitled Space, New Haven, Connecticut Pivot V: About Photography, Carnegie Gallery, Hobart, Tasmania Wired Body/Mediated Body, Pacific Cinematheque, Vancouver, Canada, and Goethe Institute, Toronto 1999 Probe: Australian Embassy, Beijing, China Videodrome, New Museum of Contemporary Art, New York Romancing the Brain, Pittsburgh Center for the Arts Sci-Art 99, MAAP, Queensland Sciencentre, Brisbane Margaret Mead Film & Video Festival, American Museum of Natural History Kasseler Dokumentarfilm Und Videofest, Kassel, Germany The Self, Absorbed, Bellevue Art Museum, Washington 4ième Manifestation Internationale Vidéo et Art Électronique Peripheral Visions, Museum of Sydney Anemone, Imago, Western Australia tour The Universal Machine, Powerhouse Museum, Sydney WRO International Video Art Biennale, Wroclaw, Poland Women in the Director's Chair Video Festival, Chicago Persona, Institute of Modern Art, Queensland Digital New Wave, International Film Festival Rotterdam, Netherlands 1998 Skin/Deep, Julie Saul Gallery, 560 Broadway SoHo, New York Videomedeja, 3rd International Video Summit, Cultural Center of Novi Sad, Yugoslavia ArtRAGE, ABC MUU Media Festival, Helsinki, Finland Surveillance show, Artspace, Sydney Rapt II, Center for Contemporary Photography, Fitzroy, Melbourne Viruses and Mutations, Experimenta, St. Vincent's Hospital, Melbourne Maap (Multimedia Art Asia Pacific), Brisbane National Digital Art Awards, Institute of Modern Art, Brisbane, September 1998. VideoBrasil, Sao Paulo, Brazil D.art, Sydney Film Festival This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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