Dominic Angerame
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Contact Information*:
San Francisco California USA |
Position: Executive Director Contact Type: Artist |
| Affiliation: Canyon Cinema | |
| web: http://www.cinemod.net | |
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Bio:
Since 1969, Dominic Angerame has made more than 25 films that have been shown and won awards in film festivals around the world. He has also been honored by two “Cine Probe” Series at the Museum of Modern Art in New York City -- in 1993 and in June 1998. Angerame teaches filmmaking/cinema studies/criticism the University of California, Berkeley Extension. He has also taught film production and cinema studies at the New College of California; was a visiting artist faculty member for the San Francisco Art Institute; and has been a guest lecturer and visiting artist for Stanford University, the School of the Art Institute of Chicago, the Graduate School of Theology in Berkeley, and others. Dominic Angerame has been the Executive Director of Canyon Cinema for the past twenty years. Under his leadership Canyon Cinema has become one of the world’s most renowned distributors of avant garde and experimental films. Canyon Cinema’s contribution to the field of experimental/avant garde filmmaking is historic and heroic. Filmography/Awards Info: IN THE COURSE OF HUMAN EVENTS (1997) 16mm black and white sound, 23 minutes LINE OF FIRE (1997) 16mm black and white sound, 8 minutes PREMONITION (1995) 16mm black and white sound, 10 minutess DECONSTRUCTION SIGHT (1990) 16mm black and white sound, 14 minutes CONTINUUM (1987) 16mm black and white silent, 17 minutes PHONE/FILM PORTRAITS (1985) 16mm black and white sound, 6 minutes VOYEURISTIC TENDENCIES (1984) 16mm black and white sound, 17 minutes HIT THE TURNPIKE! (1984) 16mm black and white sound, 3 minutes HONEYMOON IN RENO (1983) 16mm color sound, 4 minutes SAMBHOGA-KAYA (1983) 16mm black and white silent, 6 minutes THE MYSTERY OF LIFE (as discovered in Los Angeles) (1982) 16mm black and white, 4 minutes I'D RATHER BE IN PARIS (1982) 16mm color/black and white silent 17 minutes A TICKET HOME (1982) 16mm color sound, 11 minutes FREEDOM'S SKYWAY (1980) 16mm black and white silent, 3 minutes SFAI (1980) 16mm black and white sound, 5 minutes A FILM (1979) 16mm color silent, 3 minutes NEPTUNIAN SPACE ANGEL (1977) 16mm black and white, 9 minutes EL TRAIN FILM (1976) 16mm color sound, 5 minutes SCRATCHES, INC. (1975) 16mm black and white sound, 5 minutes DELAWARE PARK (1969-73) 16mm black and white sound, 4 minutes DEMONSTRATION (1968-74) 16mm color silent, 4 minutes PUTZO (1972) 16mm black and white sound, 10 minutes 10 X 17 (1971) 16mm black and white sound, 20 minutes FLUSH IT! (1969) 16mm black and white silent, 1 min In all the film productions Dominic Angerame was the Director, Cameraman, Editor, and Sound Person. The exception to this are the titles Deconstruction Sight, Premonition, and In the Course of Human Events . In these works (part of the "City Symphony") the Sound Design was by Amy Leigh Hunter, and the Sound Compositions were by Martha Miller and Kevin Barnard. This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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