Bärbel Neubauer
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Contact Information*:
Munich Germany |
Contact Type: Artist |
| web: http://www.spiralsmorphs.de | |
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Bio:
Was born in Austria, studied film and stage design in Vienna at the Academy of Arts, diploma in 1983. Lived till 1987 in Austria, since then in Germany, Munich Has been making about 30 animation films and experimental films since 1980 Composing music and filmmusic since 1991. Worked on various media, such as 35mm cinema films, 70mm IMAX cinema films and Quicktime Movies for the internet. Recently also a performance, „Waking Dream“. Works in Progress: Music CD „Wellenklänge“ (Sounds of Waves), digital abstract animation film „Flockenspiel“ / Play of Flakes. Her films of the last years are mainly abstract animationfilms, painted on film stock directly. They received international recognition and prizes, running at most international animation film festivals, lots of short film festivals and experimental film festivals. Commercials in the own style: Falter-Spot 7,1994, ABSOLUT Neubauer, 1996, July 2000: animation for Room 2, London 1998: direction, animation, editing for a 70mm IMAX animation film: Sky: Technique: handpainted direct on film animationfilm, Production: Swell Productions, Los Angeles 1999 – 17 Quicktime Movies and text for the article The Influence Of Sound And Music On Images in the Animation World Magazine. Work as a jury member for some of the leading international animation festivals, among them: Member of the selection committees for the competition of Annecy 2000 and for Hiroshima 2000 . Wrote articles for the Animation World Magazine, for Animatoon (International Animation Magazine in Korea) and for ASIFA Austria. Screenings in TV and on the Web. Showreels, special programmes and presentations at International Festivals and Universities in Europe, USA and Japan Workshops at schools and universities since 1986, among them: December1999 workshop at the Royal College of Art in London. Fall Trimester 2000 teaching position at the Rocky Mountain College of Art and Design in Denver, CO. 2001: Workshop at the Medienhochschule Koeln Workshop in Vienna 2003 Teaching position at the Hochschule fuer Gestaltung und Kunst in Luzern/Switzerland 2004 Guest lecturer at the International Workshop in Krakow, Poland, by Jerczy Kucia 2005 Workshop at CalArts Filmography/Awards Info: (not listing the films of the 80ies, there were about 15 experimental films, animation films, short subjects in the 80ies) 1988/90 SONDERANGEBOT (Special Offer) 10:00 story telling animation, 16mm 1989/90 ZWEI BESTE FREUNDINNEN (Two Best Friends) 12:00 Story telling animation film, mixed techniques, 16mm Predicate „wertvoll“ 1990 MONDFINSTERNIS (Lunar Eclipse) 4:00 Story telling painted animation film, 16mm 1991 DROP (Drop) 0:30 Spot, animation film, mixed techniques, 16mm MORGENSTUND´ (Morning Hour) 4:00 Experimental story telling animation film, 16mm IM DUNKELN IST GUT MUNKELN (When It´S Dark It Is Easy To Whisper) 4:00, Partly abstract, direct animation film: painted on blank film, 16mm, 1993 SAMSTAG NACHMITTAG (Saturday Afternoon) 3:11 Partly abstract direct animation film: painted on blank film, 35mm Predicate „Besonders wertvoll“ 1994 ALGORITHMEN (Algorithems) 3:17 Abstract direct animation film: painted and stamped on blank film, 35mm Predicate „wertvoll“ LACHTARA - SEHNSUCHT NACH ZU HAUSE (Lachtara - Longing To Get Home) 35:00 Documentary on video, S-VHS FALTER-SPOT 7 (Falter-Spot 7) 0:30 Abstract direct animation film: painted and stamped on blank film, 35mm Commercial for the city magazine „Falter“ in Vienna 1996 ROOTS (Roots) 3:42 Abstract direct animation film: painted and stamped on blank film, 35mm Predicate „Besonders wertvoll“ Zagreb´96: „Best Abstract Film“ ABSOLUT NEUBAUER (Absolut Neubauer) 0:10 Abstract direct animation film: painted and stamped on blank film, 35mm Commercial for ABSOLUT VODKA, part of ABSOLUT PANUSHKA PROJECT: the whole project got several prizes at various festivals 1997 MONDLICHT (Moonlight) 4:11 Abstract direct animation film: scratched on black film, 35mm Predicate „wertvoll“ 1998 HOLIDAY (Holiday) 4:33 Abstract direct animation film: painted on blank film, 35mm, the original used as negative 1998 SKY (Sky) 0:40 Abstract direct animation film: painted on blank film, 70mm IMAX format 1998 FEUERHAUS (Firehouse) 5:25 Abstract direct animation film: objects put on print stock, 35mm, and exposed to light by flashlight „Best Use Of Colour“ at Ottawa´98 „Special Mention for the soundtrack“ at Annecy´99 „Special Mention“ at the Dokfestival Leipzig´99 „Special Mention“ at the Madrid Experimental Cinama Week´99 2000 E.T. - Experimental Trip loop with 12 frames StART animation for asifa.net, Figurative Spot, mixed techniques Animation for ROOM 2, commercial, director: Paul Bush, Production: PICASSO Pictures, London, Award for Best Commercial at CINANIMA 2001 WAKING DREAM Performance together with Sidney Fels, Canada, and Sachiyo Takahashi, Japan 2002 PASSAGE (Passage) 8:02 Abstract direct on 35mm film animation scratched on black film 333 (333) Digital abstract clip, 0:12 2002-2004 FLOCKENSPIEL Digital abstract animation film 2004 Presentationfilm for the Chiavari International Animation Festival 2004 digital figurative animation 0:50 Presentations and Shows/Showreels 1994-98 in various cities, festivals , cinemas in Germany and Switzerland 1996 at the Goethe House in New York 1998 at the Goethe House Los Angeles, UCLA Los Angeles, CalArts Los Angeles, USC Los Angeles, 1999 Royal College of Art/London Cartoombria´99/Armonie (Harmonien) Macau Art Festival 1999 Royal College of Art/London Cartoombria 1999 Oslo Animation Film Festival 1999 2000 Hiroshima 2000 The Hearing Eye/Genova 2000 Indac 2000 2002 Präsentationen in USA at Harvard und RISD at the Dokfestival Leipzig 2002 2003 Tricky Women 2003 Animationsfestival „Best Abstract Film“ for „Roots“ at Zagreb´96 International Animation Flim Festival „Predicate wertvoll“ for „Algorithmen“ „Predicate besonders wertvoll“ for „Samstag Nachmittag“ „Predicate besonders wertvoll“ for „Roots“ Special Mention for the quality of the soundtrack for „Firehouse“ at Annecy 1999 „Best Use of Colour“ for „Firehouse“ at Ottawa 1998 international Animation Film Festival Specail Mention for „Firehouse“ at the Madrid Experimental Cinema Week 1999 Special Mention for „Firehouse“ at the Dokfestival Leipzig 1999 Prize for Best Commercial for „Room 2“ at CINANIMA 2001, direct on film animation FILMOGRAPHY (not listing the films of the 80ies, there were about 15 experimental films, animation films, short subjects in the 80ies) 1988/90 SONDERANGEBOT (Special Offer) 10:00 story telling animation, 16mm 1989/90 ZWEI BESTE FREUNDINNEN (Two Best Friends) 12:00 Story telling animation film, mixed techniques, 16mm Predicate „wertvoll“ 1990 MONDFINSTERNIS (Lunar Eclipse) 4:00 Story telling painted animation film, 16mm 1991 DROP (Drop) 0:30 Spot, animation film, mixed techniques, 16mm MORGENSTUND´ (Morning Hour) 4:00 Experimental story telling animation film, 16mm IM DUNKELN IST GUT MUNKELN (When It´S Dark It Is Easy To Whisper) 4:00, Partly abstract, direct animation film: painted on blank film, 16mm, 1993 SAMSTAG NACHMITTAG (Saturday Afternoon) 3:11 Partly abstract direct animation film: painted on blank film, 35mm Predicate „Besonders wertvoll“ 1994 ALGORITHMEN (Algorithems) 3:17 Abstract direct animation film: painted and stamped on blank film, 35mm Predicate „wertvoll“ LACHTARA - SEHNSUCHT NACH ZU HAUSE (Lachtara - Longing To Get Home) 35:00 Documentary on video, S-VHS FALTER-SPOT 7 (Falter-Spot 7) 0:30 Abstract direct animation film: painted and stamped on blank film, 35mm Commercial for the city magazine „Falter“ in Vienna 1996 ROOTS (Roots) 3:42 Abstract direct animation film: painted and stamped on blank film, 35mm Predicate „Besonders wertvoll“ Zagreb´96: „Best Abstract Film“ ABSOLUT NEUBAUER (Absolut Neubauer) 0:10 Abstract direct animation film: painted and stamped on blank film, 35mm Commercial for ABSOLUT VODKA, part of ABSOLUT PANUSHKA PROJECT: the whole project got several prizes at various festivals 1997 MONDLICHT (Moonlight) 4:11 Abstract direct animation film: scratched on black film, 35mm Predicate „wertvoll“ 1998 HOLIDAY (Holiday) 4:33 Abstract direct animation film: painted on blank film, 35mm, the original used as negative 1998 SKY (Sky) 0:40 Abstract direct animation film: painted on blank film, 70mm IMAX format 1998 FEUERHAUS (Firehouse) 5:25 Abstract direct animation film: objects put on print stock, 35mm, and exposed to light by flashlight „Best Use Of Colour“ at Ottawa´98 „Special Mention for the soundtrack“ at Annecy´99 „Special Mention“ at the Dokfestival Leipzig´99 „Special Mention“ at the Madrid Experimental Cinama Week´99 Is circulating with Kinetika 4 from the IotaCenter 2000 E.T. - Experimental Trip loop with 12 frames StART animation for asifa.net, Figurative Spot, mixed techniques Animation for ROOM 2, commercial, director: Paul Bush, Production: PICASSO Pictures, London, Award for Best Commercial at CINANIMA 2001 WAKING DREAM Performance together with Sidney Fels and Sachiyo Takahashi 2002 PASSAGE (Passage) 8:02 Abstract direct on 35mm film animation scratched on black film 333 (333) Digital abstract clip, 0:12 2002-2004 FLOCKENSPIEL Digital abstract animation film This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. 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Microcinema Interview/Article:
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