Robert Todd
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Contact Information*:
Jamaica Plain Massachussetts USA |
Contact Type: Artist |
| web: http://www.roberttoddfilms.com | |
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Bio:
Filmography/Awards Info: Rob's Films (by date) "Trauma Victim", R.Todd,Dir.(17min) 16mm Film 2002 "Happy, Peppy, Sparky Doggy" , R.Todd,Dir.(2.5min) 16mm Film 2002 "Our Former Glory", R. Todd, Dir. (9 min) 16mm 2002 "Clam Up" , R.Todd,Dir.(3.5min) 16mm Film 2001 "Clip", R.Todd,Dir.(3min) 16mm Film 2001 "Wait", R.Todd,Dir.(7.5min) 16mm Film 2000 "Timber",R.Todd/J.Carter,Dir.s(4min.) 16mm Film 1999 "Fable: I want the world, clean", R.Todd,Dir.(15min.) 16mm Film 1999 "Fisherman", R.Todd, Dir. (6min) 16mm Film 1998 "Speak", R.Todd, Dir. (7.5min) 16mm Film 1997 "Meditations:Sublime Matter", R. Todd, Dir. (24:oo) 16mm Film 1997 "Forgotten Time, version 2", R.Todd Dir. (8:30) 16mm Film 1995 "Family History" , R.Todd Dir. (6:30) 16mm Film 1995 "The Telltale Heart", R. Todd Dir. (20:00) 16mm Film 1995 "Expatriot" , R. Todd Dir. (16:00) Super 8Film 1995 "Family Voices", R. Todd Dir. (26:00) Video 1994 "Lost Satellite", R. Todd Dir. (11;20) 16mm Film 1993 "Shut Up" R.Todd Dir. (3:00) Super 8 Film with Lucy Vail 1992 "100 Seconds on Art: Votive Ship" , R.Todd,S.Shoobe,T. Guglielmo Directo 1992 (1:40) Video (Produced by Judith Wechsler at and for the Louvre Museum) "Happy, Peppy, Sparky Doggie", R.Todd Dir. (3:00) Super 8 Film 1992 "Meditations" R.Todd Dir. (6:30) Super 8 Film 1992 "Forgotten Time" R.Todd Dir. (7:50) Super 8 Film 1991 "Radio Therapy", R.Todd Dir. (12:50) Super 8 Film 1990 "Decomposition" R.Todd Dir. (1:45) Video 1990 Stuff I've helped Make "Dear Pam", John Scott/ Karen Rodriguez, Prod. OnLine edit, consultant "Caves", Sarah Holt, prod. (1hr.) sound edit and post "Some Kind of Funny Puerto Rican", Claire Andrade Watkins, prod. (?) "My Father, the Genius", Lucia Small, prod. (85min.) Sound Edit "Puncture Wounds", J.Gianvito, prod. (10 min. ) Edit "Tupperware", Lori Kahn-Leavitt, prod.(1hr.) Archival Advisor "The Smokeless Cigarette", Carl Carleson, prod. (1 hr.) Post-Super/Sound Edit "18 Ways to Make a Baby", Sarah Holt, prod. (1 hr. ) Post-Super/Sound Edit "Firewomen", J. Capron/J.Sahula, producers (1hr.) Sound Edit, Mix "Shackelton", Sarah Holt, prod. (1 hr. ) Post-Super/Sound Edit "Freedom Faith (episode 4)", Alice Markowitz, Prod. (1hr.) Sound Edit "Silence", Vanessa O'Neill, Prod. (13min.) Sound Design, Mix "Doctors: The Tatooed Surgeon", Dick Bartlett, Edti. (1hr.) Sound Edit "Vanished", Sarah Holt, Prod. (1hr.) Sound Edit "Japan's Secret Garden", Marty Lowe, Prod. (1hr.) 2nd Edit, Sound Editor "The Mad Songs of Fernanda Hussein", J. Gianvito(160min.):Edit/Sound Edit "Building Big: Skyscrapers", Joe MacMaster, Prod. (1hr.) Sound Editor, Post Coord. "Gameboy", Emerson College, Prod.(4min.) Director, Editor "Always a Bridesmaid", Nina Davenport, Prod. (83min.) Sound Edit& Post Super. "Bleriot", WGBH (52min.) Sound Edit "Testament", Lauren Ivy Chiong,Dir. 20min. Editor "International Space Station", Chris Schmidt, Edit 1hr., Sound and Assist. "the Trillion Dollar Bet", Sarah Holt, Prod. 1 hr. Sound and Assist. "Mysteries of Ancient Empires: Trebuchet, Obelisk", NOVA 2 hrs.: Sound Editor "Daumier: Man of His Time", Musee D'Orsay,etc. J.Wechsler, Prod.53min:Editor "Rockefeller", Sarah Holt/Elizabeth Deans, Prod.s 2hrs. Sound and Assist. "Adolphe Braun", RISD Museum, J. Wechsler, prod. 20min: Editor "MacArthur", WGBH,Sarah Holt, Prod. 4hrs. Sound Editor&PostSupervisor "IceMan", NOVA, 3 hours, Sound Edit "A Science Odyssey", WGBH Producers, 10 hours,series, Editor and Sound Editor "Revival" James Rutenbeck, Dir. (56:oo) 16mm Film : Editor "Math at Work", Elizabeth Gallagher, Prod. (75 hours) Video : Editor "Ali" , & "Geraldo" spots (series) SMASH Advertising, (:30) Video : Editor "Running Mate", Ted Bogosian. Prod. (60:oo) Video : Editorial Assistant "Bushwick", Richard Broadman, Dir. (60:oo) 16mm Film: Editorial Assistant "The Riddle", Evan Brenner, Dir. (100:oo) 35mm Film : Music "Never Met Picasso" (85:oo) 16mm Film : Art Director "Phoneboy", J. Smith,Dir. (80:oo) 16mm Film : Sound "New Nation", Michael Chaney,Dir. (85:oo) 16mm Film : Prod. Sound/Lighting "Medicine Wheel Animation Festival" ,Bill Jarcho,Dir.(2:oo)Music/Sound Design "Tranquility Base", Jonas Goldstein, Dir. (30:oo) 16mm Film: Production Design "Battle for Monique", L. Wilson Dir. (17:50) 16mm Film: 2nd Sound, Sound Editor "Rosalie From Across the Road", M.Ross, Dir. (22:oo) 16mm Film: Production Sound "Santa's Helper", Lucy Vail, Dir. (20:oo) 16mm Film: Sound Design "Venus Highway", R. Broadman Dir. (21:00) 16mm Film : Sound, Mix Consultant "Venus & Adonis", Judith Wechsler Dir.(20:00) 16mm : Asst. Editor, Sound Editor "AHAB" , M.Ross Dir. (16:00) 16mm Film & Video : Lead Actor, Editor, Sound Edit "MedeaFilm" R.Rutkowski, Dir. (20:00) 16mm Film : Art Direction Grants/Awards/Fellowships Grants/Awards/Fellowships 2002 2nd in Festival: Black Maria Film and Video Festival 2001 Grand Jury Award: Best Experimental Film, MicroCineFest 2001 Jury Award, NY Film Expo 2001 UFVA Merit Award 2000 Big Muddy Film Festival 2nd of Show Award 2000 Utah Film Festival Best Documentary Award 1999 School of the Museum of Fine Arts Travelling Scholars Fellowship 1999 New England Film Festival Director's Choice Award 1999 Ann Arbor Film Festival Old Peculiar Award 1997 Rochester International Film Festival, Honorable Mention Award 1992 Kodak Development Award 1988 Recipient of the Elizabeth Greenshields Foundation Fellowship Award This Contact appears in this database if Microcinema International has screened a film directed by the Contact, a film directed by the contact is featured in a DVD distributed by the Blackchair Collection Shop, or featured an organization or activity linked with the Contact. This database is used for commercial as well as informational, non-commercial purposes. It is a historical archive of Microcinema International's activities. Inclusion in this database and archive in no way implies a continuing formal relationship or affiliation with Microcinema International or the Blackchair Label nor an endorsement of its activities by the Contact. Contact details are not displayed in order to protect privacy. If you wish to contact this artist please see their website as listed above or write Microcinema International and we will be happy to forward your e-mail.
Microcinema Interview/Article:
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