This volume of ASPECT features artists working with issues of identity and personality. For some, a constructed identity is an opportunity to explore personal or cultural issues of gender, accountability and culpability. Other artists make their own personality an integral part of their work and process. All the works in this issue examine the role of personal psychology in how we interact with others and our surroundings on an everyday basis. We are thrilled by the quality and diversity of work in this issue, and with the diverse ways in which the artists and commentators interpreted our open call. Enjoy.

All films in a printable format

	Bequeaths, Oaths of Signature directed by CarianaCarianne USA, New Media, 2005, Color, Magnetic Stereo, 00:00:00 CarianaCarianne are a collaborative which believe in occurrences that cannot readily be seen. Within their work they respond through a conscious duality, embracing a shared body that contains two internal sel... more info
	Tea Party directed by Anthony Goicolea USA, New Media, 2004, Color, Magnetic Stereo, 00:00:00 In Tea Party, Goicolea successfully merges both his interest in adolescent angst and his understanding of the symbolism the forest holds, including what critic Jane Harris described as “…the world outside th... more info
	Boop-Oop-A-Doop directed by Sachiko Hayashi USA, New Media, 2004, Color, Magnetic Stereo, 00:00:00 ”boop-oop-a-doop” is an observation and investigation of our daily life and plays with three different elements : creation of identity, media culture, and our desire to be somebody else. By taking up two pr... more info
	Becoming Roberta directed by Lynn Hershman USA, New Media, 1976, Color, Magnetic Stereo, 00:00:00 ROBERTA BREITMORE was, for 9 years a private performance of a simulated person. In an era or alternatives, she became an objectified alternative personality, reflecting the values of her culture and penetrati... more info
	Day We Met,The directed by Christian Jankowski USA, New Media, 2003, Color, Magnetic Stereo, 00:00:00 -Choose a song from the book -Press the number next to the song into the karaoke machine -Press enter -Take the microphone -Read lyrics from the screen -Sing... more info
	More Man directed by Erik Levine USA, New Media, 2005, Color, Magnetic Stereo, 00:00:00 More Man lays bare the contradictions between adult projections, fears, and fantasies, and children’s realities in the world of youth football. Sports play an influential and clear role in childhood growth an... more info
	Involuntary Reception directed by Kristin Lucas USA, New Media, 2000, Color, Magnetic Stereo, 00:00:00 Involuntary Reception is a double-imaged, double-edged report from a young woman contaminated with an EPF (electro-magnetic pulse field) that pegs the needle. Lucas’ character has a story to tell, though para... more info
	Dow directed by The Yes Men USA, New Media, 2002, Color, Magnetic Stereo, 00:00:00 In 2001, Dow became the uncontested world leader in industrial accidents with the legacy of the Bhopal catastrophe. Only on the 20th anniversary of the disaster, did Dow finally announced that they were goin... more info
	The Veils of Transference directed by Adrianne Wortzel USA, New Media, 2004, Color, Magnetic Stereo, 00:00:00 The Veils of Transference is a non-interactive pre-scripted film produced in 2001 at StudioBlue at The Cooper Union for the Advancement of Science and Art, with support from Franklin Furnace Fund for Perform... more info

This DVD has never been screened

Reviews and Other Info:

Editor: Michael Mittelman
Assistant Editor: Liz Nofziger
Production: Meghan Tomeo
Art Direction: 2Communique
Animation: Jonathon Ouellette
Intern: Keagan Stiles
Sound Design: George Cox
Audio Mastering: Dexter Media

2006-10-24  Neural.it If 'identity' is one of the most important topics concerning the digital possibilities of reality construction, 'personality' is a more general aspect of the core personal traits that let us still recognize an (almost) 'human' (opposed to a 'machine'). In this issue of the valuable Aspect dvd magazine, works focused on artificially constructed or artistically abstracted personalities are included and commented, as usual, by some interested critics. Singular human entities are effectively constructed (or duplicated) upon social conventions, gestures, dresses, expressions, assumed roles and identity crisis. The daily mediated experience made us used to perceive a vast range of entities to naturally interact with. But destructuring pieces of identity and constructing credible personalities is a different process than configuring an attracting avatar. Nevertheless the avatar form is a recognized liquid second skin, that embodies some of the instinctual traits of the owner. And both these methods of representing an apparently independent entity constitute nothing more than an appropriate meaningful conglomerate of data, that can as well represents a completely artificial entity in a crowded mediascape. So the question could be: will persons be recognized as 'human' because of their ability to manage themselves as an information node? In this collection there's a wide investigation, ranging from the seminal work 'Roberta' by Lynn Hershmann made in early seventies, to the Kristin Lucas' 'Involuntary Reception', the Jill Magid's 'Evidence Locker' and The Yes Men's 'WTO', building a seminal selection that represent these topics for future references.

2006-09-11  Educational Media Resources Online By Reviewed by Brian Falato, University of South Florida Tampa Campus Library Recommended Aspect is a magazine in DVD format that compiles short experimental videos and other media art. Each volume has its own theme. Volume 7 is called Personas and Personalities. It contains contributions from ten artists and focuses on the construction of identity and role-playing, along with the influence society and the mass media have on this construction. Each video has a commentary track by a museum curator or art critic that can be played over the original audio of the video. In many of the videos presented in this compilation, this commentary track is needed because it provides background database/and context. Watching the video without this commentary can leave the viewer less than impressed by the apparent lack of content. The important thing for these pieces is the concept behind the work, rather than the content of the work itself. For instance, the first video on the disc, Bequeaths, shows two similar-looking women in side-by-side images talking simultaneously as they make their wills on video. The commentary informs us that the two women, called Cariana and Cariane, have created a separate legal identity called CarianaCarianne, two separate shelves in a shared body. Their work focuses on this duality. Evidence Locker is footage shot on city streets. A woman in a red coat appears in all the shots, sometimes from a distance and sometimes in close-up. It turns out that this material was taken entirely by video surveillance cameras in Liverpool, England. The city has set up 242 cameras and all the footage recorded is retained for thirty days, and then erased, unless needed in a legal proceeding. While this raises obvious civil liberty issues, artist Jill Magid is not overtly concerned with this in her video. She worked closely with the Liverpool police and even had some shots staged for the cameras. At the end of the video, she is seen riding on the back of a motorcycle driven by a Liverpool policeman, as the Georges Delerue composition “Camille’s Theme” from the movie Contempt is heard on the soundtrack. The romantic feel of the ending contrasts with the thorny questions raised about the source of the images. The most audacious video on the compilation is one that was unknowingly created by the BBC. It’s mislabeled WTO on the DVD container, but it’s a BBC News interview with a Dow chemical company spokesman, or so the BBC thought. Dow purchase Union Carbide Corporation in 2001. Union Carbide became notorious in 1984 when a pesticide plant it operated in Bhopal, India leaked 27 tons of a deadly gas that killed 20,000 and left 120,000 with serious illnesses that will need lifelong care. Union Carbide had denied taking responsibility for the incident, and Dow did likewise after acquiring the company. Then in 2004, the BBC ran an interview with a man identified as a spokesman for Dow who said Dow would liquidate Union Carbide and use the money to compensate victims and fully remediate the damage done at the site. It would also cooperate with all legal investigations into the gas leak. The BBC aired the interview twice before it was discovered the “Dow spokesman” was actually a member of The Yes Men, a group which impersonates business leaders to get media coverage that will provoke discussion about the ethical responsibilities of the business involved. Not all of the videos require commentary to be appreciated. More Man shows youth football players and the often harsh comments made by their coaches, and Tea Party shows the violence lurking behind social facades. Boop-oop-A-Doop is the most visually compelling selection on the disc. It manipulates documentary film footage of Marilyn Monroe and combines it with images of cartoon character Betty Boop to comment on the construction of feminine identity as represented by these two icons. The relationship between humans and machines and its effect on human identity are also explored. The Veils of Transference features a psychotherapy session between a human and a robot, with the roles of therapist and patient alternating between the two. The concept of human-robot communication also occurs in Lynn Hershman’s brief video DiNA. The Day We Met views relationships through the prism of karaoke videos, and Kristin Lucas’ Involuntary Reception is an interview with a woman, played by Lucas, who says she has difficulty coping with the modern world because she gives off electromagnetic fields that damage all the machinery and people she comes in contact with. The disc can be viewed as a whole to get an overview of current work in media art, but individual videos can be used in many classes besides art because of the issues raised. Each artist’s work is presented on a separate chapter, so there is ease of navigation to any individual piece.

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