Memory of Your Touch, The
|
|
When someone touches you and takes their hand away, what do you feel afterwards? Is that tingling warmth sensation something of them, or is it created in your body? What do you leave behind of yourself when you touch something? If you could see the imprint of your touch, what would it look like? "The Memory of Your Touch" is one result of my exploration of these thoughts. My vision was to make it possible to see what you leave behind and turn that ephemeral residue into something physical with weight, and yet light at the same time.
| Director:
Henry Kaufman (their other films)
|
| Producer: |
Genre: |
| Country: USA |
Copyright Year: 2003 |
| Original Format: |
Color Type: Color |
| Sound Type: |
Length: 00:02:19 |
| Original Language: |
Subtitle Language: |
|
Label:
Aspect Magazine
|
Other Info:
COMMENTATOR BIOGRAPHY:
Denise Markonish is the Gallery Director/Curator of Artspace, a non-profit contemporary exhibition space in New Haven, CT where she has recently curated the exhibition Territories which will travel to the Galerie fur Landschaftskunst in Hamburg, Germany this spring. She has a BA from Brandeis University and an MA from the Center for Curatorial Studies, Bard College. In 2002 she curated the inaugural exhibitions, Time Share and Body Double at the Art Interactive, Cambridge, MA and is currently working on a public art project with the Main Line Art Center in Haverford PA. Previously Markonish was curator at the Fuller Museum of Art, where she organized exhibition such as: Drawing on Tradition, Face Off: Confronting the Figure, Almost Home: Photographers and Domestic Space, Project of a Boundary: Recent Art from Chile and initiated a project space for the presentation of exhibitions like, Palimpsest: Defining a New Cultural Language, named best of 2000 by The Boston Herald. In 2001, Markonish organized Mark Dion: New England Digs, a traveling project with Brown University, The University of Massachusetts Dartmouth, the New Bedford Whaling Museum, and over 90 volunteers from Brockton, Providence and New Bedford. Markonish wrote for an edited a catalogue documenting the exhibition, which was awarded 1st prize by the New England Museum Association Publications Awards.
|
This film has never been screened
Microcinema Interview/Article:
|
|
|
|