Inside
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”inside” articulates itself through the ”seeing” of its protagonist Hanna – a person in an existential situation. This ”seeing” creates diverse images – observations? / metaphors? / hallucinations?. All of these real-time images are shown from the protagonist’s perspective. Hanna uses her seeing: analysis first, production (decision) next. Her spectrum embraces seeming voyeurism, observation of natural processes and also the direct view at herself by leaving her body. Hanna suffers mentally until her mind and body fail. She hits rock-bottom, becomes unconscious. Nothing to hear, nothing to see. Only blackness. Only a tiny something is left, which within her dull consciousness begins an independent existence. Hannas “evolution” starts. Naive and light-hearted. Everything is different. Hanna “sees”. And she searches. For a solution. Or redemption. Or maybe even both.
Microcinema Interview/Article:
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