SYNOPSIS
FILM INFORMATION
SCREENINGS
PRESS
COMPILATIONS
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Fallen uses the iconic imagery found in mythology and religion to create a modern myth. Presenting itself as a tale of creation, the film illustrates the simultaneous appreciation and paranoia of the technological age. The interest in forms both organic and fabricated is mirrored by a fusion of the contemporary with the ancient. The antiquated form of the Machine is in stark contrast to the modern nature of its material. This contrast creates a displaced sense of time presenting the discovery of technology as a gift to humanity rather than a choice. The resulting encounter reflects the powerlessness the individual experiences as technology, society, and our environment continue to change.
Microcinema Interview/Article:
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
||
|
||||||||||||||||||||||||
© 2010 INDEPENDENT EXPOSURE
|
| The Microcinema Family: |
|