Calling All Cars
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A day in the life of a rookie lawman. He has never had to fire his weapon, respects his superiors, and is always ready for any emergency day or night. Looping, layered images and sound move back and forth across an idealized American Cityscape that was gone before it came into existence. In Calling All Cars, optical printing lends a nostalgic look back at the imaginary, less-menacing days of Dragnet and Car 54, when cops were friendly and everyone seemed to live in a small town. Julia Halperin, Cinema Texas 2002
Microcinema Interview/Article:
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